![j cole trouble who sampled j cole trouble who sampled](https://www.udiscovermusic.com/wp-content/uploads/2021/09/J-Cole-GettyImages-1331728029-2.jpg)
"I believe that a hundred years from now when people look back at the 20th century, they will look at Miles, Bird, Clifford Brown, Ella and Dizzy, among elders as our Mozarts, our Chopins, our Bachs and Beethovens," Jones told NPR's “Fresh Air” in 2001. Ahead of his appearance next at the Inaugural Black Music Collective Event, a virtual event focused on amplifying Black voices, during GRAMMY Week 2021, it's worth noting how Jones helped architect Black music throughout his career. For his trouble, he's collected 28 GRAMMY Awards, 80 nominations and a GRAMMY Legend Award. In his work, which spans seven decades and counting in the business, Jones has proved time and time again that Black music is America's music. Between working on classic films like 1966's Walk, Don't Run, 1967's In The Heat of the Night and 1969's The Italian Job producing bubblegum hits like Lesley Gore's "It's My Party" and co-producing the celebrity smorgasbord "We Are The World," Jones has spearheaded quintessential Black American albums like Ella Fitzgerald’s and Count Basie’s Ella and Basie, Michael Jackson’s Thriller and George Benson’s Give Me the Night. In between, he's helped Dizzy Gillespie, Ray Charles, George Benson, Michael Jackson, Donna Summer and scores of others make some of the most beloved music of the 20th century.Īll those artists happen to be Black, and Jones understands profoundly their work's vitality to the American fabric. He can show you a scar on his temple where an icepick nailed him-and another on his hand thanks to a switchblade. He's eaten rats to survive, attended his own funeral and claims to know who actually shot JFK. Quincy Jones has the stories of a townful of people put together. His track also opens with a skit recording of a motivational phone call to the Brooklyn, N.Y.-based rapper from Clive Davis.Īhead of Quincy Jones' appearance at the Inaugural Black Music Collective GRAMMY Week Celebration during GRAMMY Week 2021, explores how the producer, composer and arranger built a launchpad for some of the most revolutionary voices in Black American music. The brass sample from the recording comprises the main instrumental riff on Busta Rhymes' "Intro," the opening track from his platinum-certified album Genesis. Jazz trumpeter Herb Alpert won his first three GRAMMYs for Record Of The Year, Best Instrumental Performance, Non-Jazz and Best Instrumental Arrangement for his crossover hit "A Taste Of Honey" at the 8th GRAMMY Awards. Busta Rhymes, "Intro" | Herb Alpert, "A Taste Of Honey" Take a look back at eight of our favorite hip-hop tracks that pulled samples and influence from GRAMMY jazz royalty.
![j cole trouble who sampled j cole trouble who sampled](https://cdn.vox-cdn.com/thumbor/q3fskApGk0kUKOCSG8ufRjuo6Z4=/0x0:3072x2164/1200x800/filters:focal(1278x142:1768x632)/cdn.vox-cdn.com/uploads/chorus_image/image/69288503/IMG_4272.0.jpg)
![j cole trouble who sampled j cole trouble who sampled](https://images.genius.com/6bc0ed6c11e4450414653cbdb86c8fb6.900x500x1.jpg)
![j cole trouble who sampled j cole trouble who sampled](https://i.ytimg.com/vi/kfYQVNWQ47Y/maxresdefault.jpg)
For example, Charlie Parker famously quoted Igor Stravinsky's "Rite Of Spring" in his solo on a 1947 recording "Repetition." Since the inception of the genre, adept jazz players have often been known to quote the melodies of common jazz standards and other well-known songs as part of their improvisational toolbox. With regards to hip-hop, the modern practice of sampling provides a strong connection to the more traditional roots of jazz. Each genre is built on a foundational groove with a heavy emphasis on improvisation, and subtle nods to the music and themes of preceding generations. Hip-hop and jazz are inextricably linked.